A new body of paintings, text works, and a neon installation exploring devotion, repetition, and emotional inheritance. Through a disciplined CMYK structure, Maggie Hall tests the language of love against its own fragility. Romantic and maternal attachment intersect. Repetition becomes pressure. Painting becomes a site of vulnerability rather than certainty.
Maggie Hall’s paintings and text works examine how love is declared, inherited, and destabilized through repetition. In Love You to Death, romantic and maternal attachment intersect within disciplined, hand-built compositions that resist digital seamlessness.
Opening Reception
May 5, 2026 - 3:00-5:00 PM
Palazzo Priuli Bon
Artist Conversation with Jeanne Beker:
May 5, 2026 - 2:00-3:00 PM
Palazzo Venart
Continuing their 2025 dialogue, Jeanne Beker and Maggie Hall reconvene in Venice to examine image culture, femininity, performance, and emotional inheritance.
Santa Croce 1979/A, 30135 Venezia VE, Italy
Calle de le Sechere 3082, 30125 Venezia VE, Italy
“I needed art as much as I needed to breathe.”
Maggie Hall creates large-scale paintings that transform familiar pop-cultural imagery into charged emotional environments. Working through a meticulous CMYK dot process, Hall builds images that shift from abstraction up close to clarity at a distance. Her 2026 Venice exhibition marks a significant expansion into immersive architectural environments.
Read essay here >
"The fire is a metaphor for that feeling of destruction or rage or grief or loss, and the ladies looking at the fire, they’re not scared. They’re not even probably worried. They’re just like, yes, this is the moment in time. This is what it is, and some of them have poured a martini…that tends to be me.